Weston sat there and looked around the room and he thought how these people were a distillation of history, and how you might be able to read their output and see a certain section of deep time from a fictional construct that shaped a factual construct. The fake history these men were responsible for had a very definite shape, and what they were doing here would have a similar impact. They called this place The Speakeasy, and it was totally illegal; it contravened everything they had all agreed to when they signed the Official Secrets Act.
Suffolk sat down on one side of him, and Gloucester on the other. Forrester, still part of the circle, was the notional head of the table. Green stood up and handed out a broadside.
‘They’re starting to move from a purely monitoring stance to a proactive removal of trouble sources.’
‘You’ve seen Blue Pens?’
‘I’ve seen a guy.’
‘You’ve seen a guy, Weston?’
‘Yes, Green. He came to warn me off saying anything further.’
‘Further? Meaning you said something?’
‘Meaning I said something.’
‘You’re lucky you’re not dead.’
‘Yeah, I might not be able to come to these.’
‘Funny. I heard that the women’s group has even better attendance.’
‘Who runs that?’
‘Carol. Anita Purdue is her second. She has Emily Blink going, Charlotte Tench, Barbara Buckingham. There are more, but they’re not from my time segment.’
‘So, gentleman,’ said Suffolk ‘What are we doing here? We know that some of what we were trained in was purely misinformation, but the other thing, the Lost Universe Activation Project was something abandoned that we might start up again. Everyone here is trained in super-positional influence writing. The women are involved in Names, Objects, Metaphors, In Synch, so that we can work up a wordlist of metaphorms in this time sector. Project Man In A Mask In Meadow is precursor to something called Fieldtest that we have infiltrated.’
‘Forrester, how is the cover story going?’
‘We have the magazine loaded into a gun made of poetry. We’ve been secreting meaning into a few multi-storeys. We’re working as hard as we can around the clock. Gloucester says we should stay hidden for a while.’
‘I need to know how you’re doing, Weston. We heard that Reeder was out and walking around. These packet sniffers are like truffle hunters, and we’re the truffles.’
‘Nice analogy, Suffolk.’
‘Yes, so answer the question.’
‘I have been building metaphorms like you asked, and places. A Poet Tree and a Know Villa in Spain. A few pocket universes in New York gutterspace.’
‘Names?’
‘Villa In. Old Cover’s Karaoke Bookshop in Manhattan. The Muse Ich shop in Brooklyn. Old’s Oak. Under Hill in Oxfordshire. And there are a few tulpas walking around too – Hemmingweigh, Rabbit Burroughs, who both write; Tara Misoo, the film-maker; Hink, the musician; and Peter Aint, the artist.’
‘Good, lots of stress points we can exploit. And yourself as something of a sacrificial lamb of course.’
‘Ah, maybe. I thought more of a honey trap, myself.’
‘That is some honey I want nothing to do with.’
‘Funny.’
‘Yes. OK. Anyway – this was only a brief meeting, designed for the purpose of headcount and loose coordination. Go to it.’
They left.